2020
After Decameron
Introduction
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A letter to the bored by Riet Timmerman
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The freedom of derailment by Louise Ashcroft
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Planets should never zoom towards you by Aubree Penney
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What Remains by Artun Özgüner
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Beans lay flat by Inês Neto dos Santos
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Nanna’s house by Zoë Wilkinson
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Orpheus Dispersed by Anna Souter
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Last night I dreamt I was a shoe by Teal Griffin
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A (re)forester’s guide by Borbála Soós
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Lou Sidley, A Story by Andrew Price
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A Spell for Protection by Nephertiti Oboshie Schandorf
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Three Card Spread by Byzantia Harlow
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in the Marl walled court of the Fairyqueen by Laura Ní Fhlaibhín
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A letter to quietness and reflection by Riet Timmerman
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Kitchen Takeover
Introduction
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Sharing in isolation by Huma Kabakci
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Sourdough is for life (a love letter) by Inês Neto dos Santos
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Cooking for my Collaborators by Laura Wilson
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Colourful recipes with a can of sardines by Basim Magdy
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SALSA by Nora Silva
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Kitchen’s Hell by Louise Ashcroft
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Quarantine Drawings by Antonio Riello
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Residue Menu by Ingrid Berthon-Moine
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Ritual Ruins by Michel Scherer
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Il Pranzo della Domenica by Lemonot
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An Ode to Ice Cream by Tasha Marks
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Everything in its place by Lucia Veronesi
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Collective recipes from a Venetian kitchen by Irene Machetti
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My Mother’s Cookbooks by Francesca Gavin
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A Dystopian Comic by Bora Akinciturk
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Jour fixe by Kosmas Nikolaou
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Webinars
I Have Eaten It: Communal meal
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Rethinking the work space
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Writing Space
Himali Singh Soin – how to startle the unbelieving
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Edward C. Ball – Downriver
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Joshua Leon – To say something when there is so little to say
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2019
Writing Space
Foreword: Making space through arts programming by Inês Geraldes Cardoso
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Silent dissidence: artefacts as other space by Artun Özgüner
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There is not enough space to save this document by Eva Vaslamatzi
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Collapsing Backwards: Of Forgetfulness in Crisis by Nat Muller
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It’s the er it’s the aspect of the words appearing on the screen by Patrick Coyle
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